Restore Faces in Old Photos — Pro, on our server
The run begins with a detection pass, and everything else follows from it. Before any restoration happens, the tool looks through your photograph for faces. Each one it finds is cut out, aligned, rebuilt at high resolution by RestoreFormer++, and blended back into the frame it came from. The rest of the image passes through untouched. Three consequences fall straight out of that design, and it is worth knowing all three before you spend a run: a photograph with no findable face is declined rather than processed into something barely different; a photograph with nine faces gets nine reconstructions; and nothing outside a face is altered, which is why a tear or a stain across the sky comes back exactly as it went in.
What makes a face restorable is its pixel budget, not its age. An 1890s cabinet card where the sitter’s head fills a third of the frame has far more to work with than a 2011 phone snapshot of six people in a garden. So the useful lever is almost always digitisation, not the model: scan the print at a higher resolution, or crop closer to the person with the on-device crop tool before you upload. Pose and occlusion matter next. Frontal and three-quarter faces do best; a strict profile has fewer of the landmarks the reconstruction and the identity check both lean on; hats, spectacles and a hand at the chin usually survive intact, because the model only rebuilds what it can see. When a frame holds a whole family at mixed distances, the family archive page covers how to work through it.
Reconstruction is not recovery, and it is worth being precise about the difference. At the coarse scale — the shape of a jaw, the position of an eye, the fall of hair — the model is working from what your photograph actually contains. At the finest scale, individual eyelashes and skin pores, it is producing detail that is plausible for a human face rather than detail recovered from your print, because that detail was never in the file. This is why every restored face is then compared against the original with a face-recognition model, and why a restoration that has drifted is refused instead of handed back. Treat a restored photograph as an enhancement for looking at and printing, not as evidence. Nothing is charged for a refused run, so the honest answer costs you nothing. The restoration hub sets out the check in full.
Where the photograph goes while this happens. Face restoration is part of Cloud HD, the Pro-only, opt-in feature set that runs on our GPU because the model is far too large for a browser. Your file is encrypted in transit, uploaded to our server for that run and deleted when the run finishes, and in all cases within 24 hours. It is processed in the United States — Cloudflare R2 for storage, a Modal GPU for inference — and it is never used to train anything. If the photograph is black and white and you want colour as well, the colorizer handles that as a separate step, and every other tool on MiniPx runs on your own device.
